18 July 2026 · 2 min read
Texture, and what the hand knows before the eye does
A flat painting asks to be looked at. A textured one asks to be touched — and that changes how a room holds it.
Read →Notes from the Studio
The Journal
On colour, slowness, mistakes, and what it means to live with a painting.
28 June 2026 · 2 min read
Teaching a room of strangers to make something in three hours
A corporate workshop is not an art class. Everyone arrives sceptical, and everyone has to leave holding something they are willing to show people.
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30 May 2026 · 2 min read
Dressing a deity: designing a shringar that thousands will see in a day
At Khajrana, the audience is not a gallery. It is a queue that does not stop — and the work has to be legible from twenty feet, in lamplight, to someone moving past.
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12 April 2026 · 1 min read
On stillness, and why most paintings are too loud
Stillness in a painting is not the absence of movement. It is movement held — a small, contained breath that asks the viewer to slow down.
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28 March 2026 · 1 min read
The language of colour: every hue carries a memory
Colour does not exist in isolation. The warm sienna holds afternoon light. The soft green holds the quiet of early morning. Every painting is a sentence in this private language.
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09 March 2026 · 1 min read
Slow work, and the mistakes that finish a painting
Every painting reaches a point where adding more would be a mistake. Knowing when to stop is its own discipline — and sometimes a mistake is exactly what makes the work feel alive.
Read →Where we work
Based in Indore.
Shipping everywhere.
Indore
Bangalore
Pune
Mumbai
Workshops and commissions across India — and original work shipped worldwide, packed flat and insured.